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Sao Bento railway station

Transportation Buildings

Sao Bento railway station stands in central Porto, Portugal, designed by the architect Jose Marques da Silva in the French Beaux-Arts style, with construction running from 1904 to the station's completion in 1916. Its entrance vestibule is celebrated above all for an extensive scheme of azulejo tilework, roughly 20,000 individual hand-painted tiles composed between 1905 and 1916 by the artist Jorge Colaco and covering some 551 square meters of wall surface. The tile panels depict scenes from Portuguese history, including battles and royal ceremonies, framed within granite borders, alongside smaller polychrome panels illustrating regional transportation methods and rural life across the country. Marques da Silva's Beaux-Arts design gives the station a formal, symmetrical facade typical of major European rail termini of the period, though it is the interior tilework rather than the exterior architecture that has made the station one of Porto's most visited landmarks. The station remains in active use as one of the city's principal rail terminals.

Facts
Building Type
Railway Station 1
Location
Porto, Portugal 1
Completed Year
1916 1
Classification
Standing Status
Standing 1
Building Type
Building Type (category)
Railway Station 1
Connections

Has Building Type

In Style

Source Sao Bento railway station - Wikipedia

Uses Element

Source Sao Bento railway station - Wikipedia
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Sources
1. Sao Bento railway station - Wikipedia
  • Infobox: country
    Portugal
  • Infobox: address
    Cedofeita, Santo Ildefonso, Sé, Miragaia, São Nicolau e Vitória, Porto
  • Infobox: opened
    1916
  • Lead section
    São Bento railway station (Portuguese: Estação ferroviária de São Bento) is a 20th-century railway terminal in the civil parish of Cedofeita, Santo Ildefonso, Sé, Miragaia, São Nicolau e Vitória, in the municipality of Porto, district of Porto.
  • Uses Element: Granite, Article text
    The symmetrical, three-story, granite building has a U-shaped plan, with its principal facade oriented to the southwest.
  • In Style: Beaux-Arts Architecture, Article text
    A building of geometric rigor, in the Beaux-Arts style that was particularly popular in France, it has a central body corresponding to the principal atrium and on either extreme two volumes.
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