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Styles and Movements

Catalan Modernisme

Nineteenth-Century Revival and Eclectic Architecture

Modernisme is the historiographic name for a Catalan art and architecture movement that sought a new expression of Catalan cultural identity, active from around 1888, the year of the first Barcelona World Fair, to 1911, the year the Modernista poet Joan Maragall died, with Barcelona as its center. It shared traits with the wider European Art Nouveau movement but developed its own character, favoring the curve over the straight line, rich decoration and detail, frequent vegetal and organic motifs, a taste for asymmetry, and dynamic shapes drawing on medieval and Arab architectural traditions. Antoni Gaudi is its best known architect, alongside Lluis Domenech i Montaner and Josep Puig i Cadafalch, though more than a hundred architects ultimately worked in the style.

Facts
Period
1888 to 1911 1
Catalan Modernisme
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Connections

Associated With

Gaudi is the best known figure of Catalan Modernisme

Notable Examples

Source Antoni Gaudí (Wikipedia)
Source Can Negre (Wikidata)
Source Casa Vicens (Wikipedia)
Source Episcopal Palace, Astorga (Wikipedia)
Sources
1. Modernisme (Wikipedia)
Introduction
Quote, Introduction
active from roughly 1888 (the First Barcelona World Fair) to 1911
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Antoni Gaudí (Wikipedia)
Notable Examples: Antoni Gaudi, "widely known as the greatest exponent of Catalan Modernisme"View the Source
Episcopal Palace, Astorga (Wikipedia)
Notable Examples: Episcopal Palace, Astorga, Infobox, architectural_style
Quote, Notable Examples: Episcopal Palace, Astorga, Infobox, architectural_style
architectural_style: Modernisme
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Casa Vicens (Wikipedia)
Wikimedia FoundationNotable Examples: Casa Vicens, Wikipedia categories
Quote, Notable Examples: Casa Vicens, Wikipedia categories
Category:Modernisme architecture in Barcelona
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Can Negre (Wikidata)
Wikimedia FoundationNotable Examples: Can Negre, Wikipedia categories
Quote, Notable Examples: Can Negre, Wikipedia categories
Category:Modernisme architecture in Catalonia
View the Source
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