Portuguese Plain Style architecture, known in Portuguese as Estilo Chao, is a sixteenth century movement rooted in early Mannerism that emerged during the reign of King John III of Portugal as a deliberate departure from the more ornate Manueline style. The American art historian George Kubler described it as vernacular architecture related to the traditions of a living dialect rather than to the principles of Classical Antiquity, and its earliest expression appeared in hall churches built during the 1550s in Leiria, Portalegre and Miranda do Douro, predating comparable Spanish movements by roughly a decade even though it was also influenced by Italian military architects. The style proved highly adaptable across the Portuguese Empire, especially in Brazil and other colonial territories, since its plain, practical forms could be replicated consistently with only local decorative variation. Its buildings are rectangular, compact and orthogonal, built to golden proportions and classical geometry but deliberately unornamented, with simple portals and windows outside and undecorated interiors, and its churches typically follow a basilical plan with a single nave, a deep chancel, twin bell towers and side aisles converted into a run of interconnected chapels, giving buildings in the style a squat, fortified, low and clean character while keeping a human scale throughout. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/
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Portuguese Plain Style architecture (Estilo Chão in Portuguese) refers to a 16th century Portuguese architectural style related to early Mannerism marked by austerity and sobriety of form.
In Group: Renaissance, Baroque and Neoclassical Styles of Europe, Lead paragraph
Portuguese Plain Style architecture (Estilo Chão in Portuguese) refers to a 16th century Portuguese architectural style related to early Mannerism marked by austerity and sobriety of form.
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